Maya Francine Thomas
Welcome

Maya Francine Thomas

Actor  ·  Singer  ·  Writer  ·  Teaching Artist
Stories rooted in truth, humor, music, movement, and transformation.

Juilliard-trained actor, singer, writer, and teaching artist. Decades on stage. A lifetime studying what makes people believable.

My work lives where craft meets humanity: theatre, voice, movement, original performance, poetry, and coaching.

Recent Work
Dog Mom
Nell  ·  Oregon Contemporary Theatre  ·  dir. Elizabeth Helman
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Voice Work

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Beloved
Toni Morrison  ·  Read by Maya Francine Thomas
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About

The Artist

Maya Francine Thomas

Maya Francine Thomas is a Juilliard-trained actor, writer, voice artist, and educator whose work bridges theater, movement, music, storytelling, and emotional truth.

Originally from Oregon and shaped by years in New York's theater community, Maya's performance work spans classical theater, contemporary drama, devised work, music-driven performance, and original storytelling.

Deeply influenced by language, embodiment, humor, jazz, human contradiction, and the transformative power of story, Maya is drawn to work that explores resilience, intimacy, identity, longing, liberation, and what it means to remain deeply human.

In addition to performance, Maya develops original theatrical work, including Billie: A Conversation with Lady Day — her original solo performance inspired by the life, voice, and spirit of Billie Holiday. A piece about survival, song, and the cost of telling the truth out loud. Part theater, part love letter to a woman who gave everything to the music. Her ongoing project Proud Flesh continues that thread: memory, womanhood, survival, humor, voice, and the body as archive.

As an educator and creative mentor, Maya works with actors, artists, and storytellers seeking deeper presence, emotional freedom, and truthful expression. Her approach combines classical training, movement, intuitive text work, vocal exploration, and embodied storytelling practices to help unlock what is most alive and authentic in performance.

At the center of Maya's work is a belief in story as transformation — a way to reconnect people to themselves, to one another, and to the deeper humanity we share.

Résumé

Representative Theatre

Representative Theatre

Dog Mom
Nell
Oregon Contemporary Theatre
Elizabeth Helman
Fat Ham
US/Tedra/Rabby
Oregon Shakespeare Festival
Elizabeth Carter
Witch
Elizabeth Sawyer
Oregon Contemporary Theatre
Tara Wibrew
The Winter's Tale
Hermione
Oregon Contemporary Theatre
John Schmor
Dontrell, Who Kissed the Sea
Mama
Oregon Contemporary Theatre
Craig Willis
Playboy of the West Indies
Peggy
Oregon Shakespeare Festival
Kenny Leon
Idiot's Delight
Shirley
Oregon Shakespeare Festival
Bill Rauch
Oo-Bla-Dee
Ruby
Oregon Shakespeare Festival
Tim Bond
Crumbs from the Table of Joy
Lily Ann
Indiana Repertory Theatre
Tim Bond
Ragtime
Sarah (Understudy)
Ford Center for the Performing Arts
Frank Galati
Dark Rapture
Renee
Second Stage
Scott Ellis
W;t
Technician / Susie (Understudy)
Union Square Theatre
Derek Anson Jones
South Pacific
Bloody Mary
Oregon Festival of American Music
Richard Jessup

Original Work

Billie: A Conversation with Lady Day
Creator · Writer · Performer
The Duplex
Original Solo Work

Training

The Juilliard School
B.F.A., Drama Division (Group 25)
Alvin Ailey American Dance Center
Horton · Dunham · Graham · Jazz · Ballet · Modern
Voice & Speech
The Woods Institute — Denise Woods
Alexander Technique
Professional Training
Written Word

Poetry

Written under the name Francy T.

Poems about memory, womanhood, survival, love, light, the body, and the small hours.

Small observations that refused to stay quiet.

Small Hours

I am reaching out for the small hours You wake up and go ahead and thank your queen in the castle that you ain't seen on land a joint you ain't walk-throughed And wonder what night laid down his arms What song is playing in his head? I just keep hearing in my head the word baby Baaeby On the night he didn't want you to come to harms
— Francy T.

What I Know Now Is —

time doesn't equal volume. Years can pass and still leave you empty. You can give everything and be given almost nothing that holds. Longevity is not proof of love. And quiet doesn't mean it's peaceful. Getting bigger is easy. Growing up is something else. I can go anywhere I want — by myself. And if it gets dark, I don't have to bring the light. I can stop. I can wait. Even though I cannot see it, I know the light is near — because I am still here.
— Francy T.

strawberry stain

nectar noncommittal — it meant to stay, but forgot to decide everything else goes dull after storm the room — forgetting everyone air doesn't argue anymore standing there as if never crowded
— Francy T.

I Still Do —

It just came through me Devastating I miss How? Hold me close I keep naming it so it will be alive But it isn't and I know that I still do
— Francy T.

Untitled

This life of waiting for tomorrow was never as romantic as imagined. Tomorrow kept borrowing from today. I thought growing up meant arriving. But growing up is a haunting. Every younger version keeps knocking. Will you finally arrive? ... Shhh. She is. She's coming home.
— Francy T

Past Us

STARS SEE ROCKS and dark grey clouds THE SOFTEST FEATHERS to fly and to land I miss … something PITS OF CHERRIES choke me up wrapping rainbows around my teeth the warmest beautiful sunlight shining past us how can I miss a husband who isn't a husband and doesn't want to hold me close DROP ME at the bottom of it all FIRE AND ICE
— Francy T.
Coaching & Presence Work

Work With Maya

Maya Francine Thomas — coaching

Presence. Voice. Story.

Whether you're preparing for an audition, stepping into a courtroom, delivering a keynote, leading a room, building a business, or finding your voice for the first time — I help people communicate with greater clarity, presence, heart, passion, conviction, and truth.

Every collaboration begins with a conversation.

Drawing on Juilliard training, decades of professional performance, movement, voice, Alexander Technique, and embodied storytelling, I work with actors, attorneys, executives, entrepreneurs, educators, and artists who need to be fully seen, heard, and believed.

Together we'll discover what is already true — and make sure everyone else can see it too.

Let's begin.

"Whatever it is you want to do, I'll help you own it.
I'll help others see it.
I'll help you see it in yourself."
— Maya
Maya Francine Thomas in Witch
For Performers

The Artist

For actors and artists at every stage — from audition prep to deep creative breakthrough.

  • Audition & monologue coaching
  • Shakespeare & heightened language
  • Emotional connection & vulnerability
  • Voice & vocal expression
  • Creative breakthrough
Maya Francine Thomas
For Attorneys & Executives

The Voice

For trial attorneys, executives, keynote speakers, and leaders who need to command a room with truth — not tricks.

  • Courtroom & boardroom presence
  • Trial prep & opening/closing arguments
  • Keynote & public speaking
  • Vocal authority & breath
  • Embodied confidence
Maya Francine Thomas
Movement & Dance

The Body

Move your body like you want to use it forever. A FUNK Mama mix with dance-club energy — rhythm, strength, flow.

  • Group dance classes
  • Private movement coaching
  • Alexander Technique
  • Workshops & special events
  • All bodies welcome

Trained at The Juilliard School and Alvin Ailey American Dance Center. Decades on stage. A really good sense of humor. (Just ask — she'll tell you.)

Ready to work together? Start with a conversation.

Schedule a Conversation Email Maya
Acting, auditions, voice, movement, trial and public speaking, executive presence, storytelling, workshops, and creative consultation. Programs & ballpark rates →
Let's Create Something Together

Work With Maya

Whether you're developing a new play, preparing for an audition, standing before a jury, leading a room, recording a voice-over, or discovering your voice for the first time, I'd love to collaborate.

Direct: mymymaya33@gmail.com  ·  458-246-7940